Wednesday, September 16, 2015

Made By the Light of the Sun

Multi-Tiered Dress for the 4th of July. Cotton
Photograph: Robert Lucy, 2015
When engaged in a project full of invention and discovery I continue to work as evening falls, until the studio darkens and neither lamplight nor overhead lighting are sufficient. (None rival daylight.) Then put the project respectfully aside eager for sunlight's return bringing with it the opportunity to recommence the process.

Have had to coax myself from the studio on many occasions like a parent reasoning with a child who is still romping about on the playground at dusk. The child wants to linger. "We can come back tomorrow," the parent reassures her. Frequently I've tidied up the studio at night with the same promise to myself: you can come back tomorrow!

Thursday, July 30, 2015

Super Power

On a train traveling from the Hudson Valley to Grand Central station today Superman came on board in the form of an 8 year old boy. He was wearing a red Superman cape made of silk-like material, light enough to ripple behind him. It shimmered. Beneath the cape his blue tee with the Superman insignia left no doubt as to his identity. His eyeglass frames were vivid Superman-blue, his face deep brown. He looked terrific. Superman boarded the train with his mother.

Having found a seat on the train I kept thinking about Superman. I walked back to where he was seated. With upraised eyebrows I checked for his mother’s consent.  Receiving it I directed my attention to the boy, “I really like how you’re dressed. May I ask you something? Are you dressed like Superman for a special occasion? Or do you sometimes wear Superman clothes?”

His manner was gentle. Looking directly at me he explained, some days he dresses like Superman. Sometimes he dresses like Michael Jackson. He gave the impression there were other costumes. I wanted to know more. But since he was glancing at a game on the electronic tablet in his hands I left it at that. 

Turning to head back to my seat I noticed the pink tee shirt his mother was wearing. It was emblazoned with an “S” Superman insignia/shield on the front. “You’re wearing a Superman shirt too!” I observed.

She pointed to the baby carriage in the aisle by her side where her daughter lay sleeping. “She was too. Before she got spaghetti on it. The whole family.”

Today I met Superman and his family.

Have been thinking a lot about dressing as a form of empowerment. This was kismet.

Saturday, July 11, 2015

Looking at Hats--A New Video!

What goes into making a hat? What do the details reveal about its quality? A lot!
Here's new video in the Conscientious Consumer series. (Such a delight to make these.)

Monday, July 6, 2015

A Slow Style Retrospective

From Hats to Underwear, An Artist Makes Everything She Wears

On June 27th I spoke before an audience about my slow style project. It was an opportunity to discuss the motivations behind the endeavor, the materials and methods, influences and aspirations and some of the discoveries made along the way.

Mid-summer, mid-rainstorm I was geared up to welcome an audience of five people. It was standing room only--a happy surprise!

(Note: Items on the shelves are works by other artists, part of the gallery's exhibit.)

Monday, June 22, 2015

Slow Fashion Presentation on Saturday, June 27th

Slow Fashion from UNDERWEAR to HATS:
Making Everything I Wear for Seven Years

For seven years Brooklyn artist and designer Sarah Kate Beaumont has been designing and making her entire wardrobe, from underwear to hats. On Saturday, June 27 from 4.30--6.30 p.m. Beaumont will present a retrospective of this project illustrated with examples from her personal wardrobe. Beaumont will discuss her process, inspiration and the zeitgeist of maker-ism. The event is free. 

Saturday, June 27
from 4.30 to 6.30 p.m.

Proteus Gowanus
543 Union Street (at Nevins St.)
Brooklyn, NY
(Directions here.)

Monday, June 15, 2015

There's A Señorita

Señorita Dress (in process), 2015
Took this photo midway through draping a dress to wear to an art benefit. (Contributed a hat to the benefit.) The dress is ankle length with three tiers of fabric. The sleeves end in wide stretch lace cuffs. I replaced the grey silk rose seen in the photo with a smaller version I made with the shimmery black dress fabric. Had to design and complete the dress rather quickly. After wearing the dress to the benefit (photo below) spent two days finishing details on the interior and reinforcing the handstitched seams!

Then on a warm summer evening last week, when the sun had set so gradually that at 9 pm there was still faint light in the sky, I was again wearing the dress, walking along the neighborhood’s thoroughfare. A little girl playing with her sister on the sidewalk giddily exclaimed as I approached, “There’s a señorita!!”

“Is it my hat?" I asked, "Or the dress with all these layers?” I had paired the dress with black hat I'd made which has a distinctly Seville shape--a wide horizontal brim, straight-sided crown and flat top.

With 4 year’s old exuberance--arms raised, bouncing on her feet she explained: she and her sister (the relatively rooted companion standing next to her) were playing a game... "There was a señorita..."

It was difficult to gather the exact details from the excitedly and choppily told story. The girls' father, overseeing and enjoying their activity remarked that the timing was serendipitous. How much fun to enter the scene becoming "a señorita" in her imagination!

At the benefit a stylish woman chose the hat I'd made. I was so happy she chose it. May it bring her pleasure.
Photo Credit: Miska Draskoczy


Sunday, May 17, 2015

Sunset Hat

Sunset Hat, 2015
Where a hat rests in the evening...

Thursday, May 14, 2015

Gallery Show & Upcoming Presentation

Hats I designed are in the current exhibit at Proteus Gowanus, a gallery in Brooklyn recently named one of the "10 Galleries to visit in Brooklyn and Queens" by The New York Times (16 April, 2015).

Had a conversation with show's curator, Courtney Jordan, when she made a studio visit. She had been to many artist's spaces in preparation for the exhibit. Her perspective on how artists' approach their studio practice was interesting and affirming.

The gallery's press release for the exhibit's opening is below. (It happens to feature my hats!)  Was unable to attend the opening, however, I will be giving a presentation at the gallery. The date and time will be announced soon....

I would love to see you there!

Hats by Sarah Kate Beaumont // Verysweetlife

Please join us for 

Gowanus Marketplace

May 9th - July 11th

Opening Reception: Saturday, May 9th, 6 – 9 pm

The final exhibition of our yearlong COMMERCE theme, Gowanus Marketplace circles back to our beloved Gowanus Canal,  highlighting the uniquely creative, collaborative commerce that has sprung up along the canal’s murky waters.  The exhibition explores the intersection of contemporary artistry and industry along the canal by presenting artist-made functional objects as objets d’art in a re-imagined Old World marketplace.

We invite you to come support these local artists and artisans. The marketplace includes ceramics, retrofitted sleds and lamps, soap, knives, furniture, hats, robots, pickles, terrariums, coffee and more!

 Gowanus Marketplace Participants include:

Amanda Moffat Pottery; Brooklyn Robot Foundry; Chris Hackett; Ehrhardt’s Tempest; Haskieville Apparel; Jake Wright // Stockpile Designs; Lite Brite Neon Studio; May Luk; Melissa Dadourian; MQuan; Pete Raho // Gowanus Furniture Co; Phuong  Nguyen; Pickle Shack // Brooklyn Brine; Sarah Kate Beaumont // Verysweetlife; Soapwalla Inc; Stone Street Coffee; Textile Arts Center // Emma Cleveland + Natalie Phillips; Tony Stanzione; Twig Terrariums

Gallery Hours
Thursday & Friday, 3–6 pm
Saturday & Sunday, 12–6 pm
  Proteus Gowanus | 543 Union Street, #1C | Brooklyn, NY 11215

Thursday, April 23, 2015

Handknit Dolman Sweater

Dolman Sweater (front)
What, winter at the end of April?!

It's cold enough to wear the dolman sleeve sweater I knitted as a teenager. Rediscovered it on a recent visit with my folks. It's teal with blocks of maroon and sky blue mohair...kind of itchy. Also, it's boxy in that late 80's way. Heck though, due to less wear it looks pristine.
Dolman Sweater (back)

Saturday, April 18, 2015

Parapet: the Edge of Style

Linen Shift, Pair of Silk Stays, Bustle Skirt
Photograph: Robert Lucy, 2015
From the wardrobe I've made I find myself gravitating toward certain garments. This skirt and the white linen shift worn with it are a semi-uniform. The silk covered corset/ pair of stays is newly completed.

The first skirt of this design was paired with a slip. The next incorporated a lining. This version has a deep ruffle added to the lining's lower edge, widening the circle of the hemline when the skirt is worn. An additional development was to come...

A long skirt amplifies movement and cozily blankets one's legs when one is seated. Nevertheless climbing up and down subway stairs required lifting this long skirt's hem--graceful or a bit of a nuisance depending upon whether or not my hands were already full. (In tandem with living in a pedestrian city with fluid public transportation is the tendency to tote along a day's worth of provisions, pack-mule-like.) It's awkward to raise the skirt an inch or two off the ground when carrying packages. Eventually solved the dilemma: bustled the skirt!

Detail: Ribbon Tie at Front Shoulder
Photograph: Robert Lucy, 2015
The pair of stays (i.e. corset) evolved from a previously made pair. Recently had modified the original in ways that made it unexpectedly comfortable and wonderful to wear. Those adaptations are present in this pair. Seen here is the marine blue silk taffeta exterior. But this pair is reversible! There's scarlet silk taffeta on the other side. It's structure is comprised of eighteen steel bones inserted into channels in a muslin core. There are thirty hand sewn eyelets. At the most rapid each eyelet took about 10-15 minutes to sew. Many subway journeys were spent sewing eyelets and hand-stitching the edge binding over the course of three months. Decided to modernize and grommet the front lacing holes of which there are twenty-two. Wearing this I feel utterly myself.